Acknowledgements:

Thanks to Jim Campbell and Emma Strebel for this incredible opportunity, and their warm support and guidance throughout. Thanks as well to Elijah Ezralow and Jess Gonzalez for their assistance conceptualizing the project in its early stages. This project made heavy use of “motion extraction,” an editing technique coined by Posy.

This project was predominantly filmed, developed, and exhibited on the unceded ancestral homelands of the Muwekma and Ramaytush Ohlone peoples. We are indebted to the Ohlone for their continual stewardship of the land which is reflected by our project, and for the privilege of working on it.

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